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The eminent Black artist known for her story quilts and children's books presents an illustrated chronicle of growing up in Harlem, where she worked to refine her artistic vision and raise a family against all odds.
- Sales Rank: #1434593 in Books
- Brand: Brand: Little Brown n Co (T)
- Published on: 1995-11
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 8.00" w x 1.25" l,
- Binding: Hardcover
- 288 pages
- Used Book in Good Condition
From Publishers Weekly
Contemporary artist and children's book author Ringgold (Tar Beach) chronicles her efforts as a black woman, born in 1930s Harlem, in fighting sexism and racism to make her mark in the world. Her socially conscious paintings (The Flag Is Bleeding, 1967; Die, 1967), story quilts (Who's Afraid of Aunt Jemima? 1983) and various sculptures, dolls, masks and live performances have all received favorable review attention. The artist has also enjoyed a long and varied teaching career. Unfortunately, this portrait is filled with contradictions that often undermine Ringgold's sincerity and prevent her from establishing an emotional bond with the reader. Though she lists her activist stance in support of rights and opportunities for African Americans and, more broadly, for all women, her narratives fail to convey the passion of her described convictions. Ringgold stresses the importance of "family" and "values," but her unconventional marriage, living and child-rearing arrangements do not reflect her good intentions. The end result reads like the sanitized diary of a self-absorbed woman.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
This lively and delightfully written autobiography is set against a background of cultural and political upheaval. Ringgold's struggle to establish herself as a black artist and her need to define the meaning of a "woman's art" are the major themes found throughout this book?indeed, in all her projects. A talented painter, she is also known for her work in soft sculpture, textiles, masks, performance art, and writing children's books. Ringgold is represented in many public and private collections, ranging from the Metropolitan Museum of Art in New York City and Chicago's Harold Washington Library Center to Brooklyn's Crown Heights Public School 22. This book is well illustrated with family photos as well as examples of the artist's enormous output. Recommended for most public and art libraries and those with a special focus on feminist and African American studies.?Margarete Gross, Chicago P.L.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Ringgold writes with candor and warmth about her struggle and her "dreams coming true" as an African American, a woman, and an artist, from her childhood in Harlem in the 1930s through her political awakening in the 1960s to her current success "making art, making waves, making money." Racism is always there, even now--in the art world and in the fancy suburb where she lives--but so are friends, family, and celebration. She's frank about her difficulties with her daughters, about her conflicts as a feminist in the black community, about the white male art establishment that tried to dismiss her work as "protest" art. Small family snapshots are on every page, and there's a 30-page insert with color reproductions of her art, including her amazing story quilts, such as "Tar Beach," which led to her Caldecott Honor Book and a career in children's literature. There's a refreshing lack of elitism here, despite the underlying seriousness. This memoir will be read for its aesthetics, its commitment, and its common sense. Hazel Rochman
Most helpful customer reviews
0 of 0 people found the following review helpful.
Three Stars
By Kir Lou
ok but not fabulous
6 of 6 people found the following review helpful.
great book, great story
By Martha Ringgold Jones
a must read biography of one of the most important artists of the country. A book about a Black Woman Fine Artist telling her story is a rare find and unsurprisingly interesting, poignant, insightful, triumphant.
8 of 8 people found the following review helpful.
Especially recommended for aspiring artists
By AfroAmericanHeritage
Faith Ringgold began her artistic career in the 1960's as a painter, but is best known for her painted story quilts and her children's books such as the award-winning TAR BEACH. Her memoirs, first published in 1995 and reprinted in this 10th Anniversary Edition, were actually begun in the late 1970's after she returned from a trip to West Africa, a time when she herself was still very much a "work in progress" personally and professionally. Then again, Faith Ringgold will always be evolving; this is not a woman content to rest on her many laurels.
A memoir is revealing on two levels: since it's selective remembering, what the author chooses to tell us about herself ends up telling us something additional. WE FLEW OVER THE BRIDGE is candid, sometimes humorous, sometimes bordering on bitter, and almost quilt-like as she pieces together a wide range of topics, from the intensely personal to political and professional. Harlem at the close of the Renaissance, the art world's resistance to nonwhite artists, Black Power's resistance to feminism, combining marital life and parenthood with a career - all are viewed through her unique lens. For example, raised in a solidly middle-class environment by a mother who was a fashion designer and who inspired her interests in fabric art (and even collaborated at times), Ringgold seems to have felt overdressed at the revolution. She doesn't quite "fit in" but then again, I'm not sure she wanted to; she creates her own routes of activism. To any aspiring artist, I'd especially recommend Part III: Making Art, Making Waves, and Making Money.
In addition to 40 beautiful color plates illustrating her work (mostly the story quilts), the book has numerous black and white photos of her family, associates, performance art and early paintings. You can keep up with her current work at FaithRinggold.com.
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