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Confidence Men and Painted Women: A Study of Middle-class Culture in America, 1830-1870 (Yale Historical Publications, Miscellany), by Kar
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A study of middle class culture in America, 1830-1870. Yale university press New Haven and London.
- Sales Rank: #74508 in Books
- Published on: 1986-09-10
- Original language: English
- Number of items: 1
- Dimensions: 8.18" h x .85" w x 5.49" l, .70 pounds
- Binding: Paperback
- 288 pages
From the Back Cover
Karen Halttunen draws a vivid picture of the social and cultural development of the upwardly mobile middle class, basing her study on a survey of the conduct manuals and fashion magazines of mid-nineteenth-century America.
About the Author
Karen Halttunen is Professor of History at the University of California at Davis.
Most helpful customer reviews
0 of 10 people found the following review helpful.
Confidence Men and Painted Women: A Study of Middle-class Culture in America, 1830-1870
By Jennifer Jones
I haven't gotten finished with this book yet because I bought it for a college English class that hasn't started yet. I was trying to get a head start on it all. The book arrived in great condition and quickly, and so far, seems to be a pretty good read.
8 of 8 people found the following review helpful.
A Great 19th Century U.S. Social History
By William M. Knoblauch
In Confidence Men and Painted Women, USC historian Karen Halttunen examines the social norms of middle class Americans from the years 1830-1870. She shows that for much of the nineteenth century, Americans viewed hypocrisy as a direct threat to the democratic process. They considered insincerity a "symbolic expression of moral and political decay in America." The possibility of upward or downward social mobility prompted this identity crisis for many middle class Americans. In their desire to appear sincere, urban Americans looked to identify themselves in opposition to confidence men and painted women. Confidence men were familiar figures in 19th century literature; these outwardly friendly men often corrupted young city newcomers. Painted women resided in parlor rooms; their use of makeup disguised the proof of insincere lifestyle. Both figures represented insincerity in domestic and social spheres. There was a fine line between proper attire and the insincere looks of fashion.
Both men and women strove for sincerity in their appearance. In doing so, there arose an inherent contradiction to the ideals of 19th century behavior manuals: namely, that by focusing on the correct attire and etiquette to appear sincere renders the participant insincere. The rest of Halttunen's book looks at society's recognition of this contradiction, the practice of sincere outward appearances in parlor rooms, on the street, and even at funerals. She concludes that ultimately public appearance reconciled with personal insincerity. In short, by the Gilded Age, Americans had not only made peace with the division between ostensible outward appearance and supposed internal sincerity, but had learned to accept this contradiction as a social norm.
3 of 4 people found the following review helpful.
A very worthwhile read
By Vicky Oliver
I thoroughly enjoyed this account of American middle class culture between 1830-1870. Well-researched, well written, and fun to read, I thought it was a great lesson in American civilization, and I also appreciated all of the references to popular culture during that time. The author begins the book with an arresting premise and follows through beautifully. A must read for anyone interested in broadening their base of historical knowledge.
Vicky Oliver
Author, Bad Bosses, Crazy Coworkers & Other Office Idiots
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