Jumat, 31 Agustus 2012

[B835.Ebook] Download PDF Spitfire Aces of North Africa and Italy (Aircraft of the Aces)

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Spitfire Aces of North Africa and Italy (Aircraft of the Aces)

  • Published on: 1600
  • Binding: Paperback

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Rabu, 29 Agustus 2012

[A949.Ebook] Download PDF Arabic calligraphy: Diwani Script, by Tarek Mahfouz

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Arabic calligraphy: Diwani Script, by Tarek Mahfouz

Created in the Ottoman court, this script is one of the six main types of Arabic calligraphy, and one of the best for special and formal short pieces, such as invitations, certificates, religious quotations and inspirational writing. This book is your guide to understanding and creating the Diwany script, by providing detailed instructions on its intricate patterns and formal standards.

  • Sales Rank: #2157924 in Books
  • Published on: 2013-05-18
  • Released on: 2013-05-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .20" w x 8.50" l, .48 pounds
  • Binding: Paperback
  • 88 pages

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0 of 0 people found the following review helpful.
Five Stars
By Rizwan Uqaili
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Kamis, 23 Agustus 2012

[O463.Ebook] Ebook Download Mega-Projects: The Changing Politics of Urban Public Investment, by Alan A. Altshuler, David E. Luberoff

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Mega-Projects: The Changing Politics of Urban Public Investment, by Alan A. Altshuler, David E. Luberoff

Since the demise of urban renewal in the early 1970s, the politics of large-scale public investment in and around major American cities has received little scholarly attention. In MEGA-PROJECTS, Alan Altshuler and David Luberoff analyze the unprecedented wave of large-scale (mega-) public investments that occurred in American cities during the 1950s and 1960s; the social upheavals they triggered, which derailed large numbers of projects during the late 1960s and early 1970s; and the political impulses that have shaped a new generation of urban mega-projects in the decades since. They also appraise the most important consequences of policy shifts over this half-century and draw out common themes from the rich variety of programmatic and project developments that they chronicle. The authors integrate narratives of national as well as state and local policymaking, and of mobilization by (mainly local) project advocates, with a profound examination of how well leading theories of urban politics explain the observed realities. The specific cases they analyze include a wide mix of transportation and downtown revitalization projects, drawn from numerous regions—most notably Boston, Denver, Los Angeles, New York City, Chicago, Atlanta, Dallas, Portland, and Seattle. While their original research focuses on highway, airport, and rail transit programs and projects, they draw as well on the work of others to analyze the politics of public investment in urban renewal, downtown retailing, convention centers, and professional sports facilities. In comparing their findings with leading theories of urban and American politics, Altshuler and Luberoff arrive at some surprising findings about which perform best and also reveal some important gaps in the literature as a whole. In a concluding chapter, they examine the potential effects of new fiscal pressures, business mobilization to relax environmental constraints, and security concerns in the wake of September 11. And they make clear their own views about how best to achieve a balance between developmental, environmental, and democratic values in public investment decisionmaking. Integrating fifty years of urban development history with leading theories of urban and American politics, MEGA-PROJECTS provides significant new insights into urban and intergovernmental politics.

  • Sales Rank: #568353 in Books
  • Brand: Brand: Brookings Institution Press and the Lincoln Institute of Land Policy
  • Published on: 2003-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .79" w x 5.98" l, 1.17 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Used Book in Good Condition

Review

"If you are looking for an economic quotient to keep a sports team in town, 'Mega-Projects' convincingly argues there isn't one. That, of course, is the end of the argument for some, but not the end of the argument for American cities." —James Vesely, Seattle Times, 5/7/2006



"An important new book... The larger question of what public works will be like in the aftermath of the Big Dig deserves serious attention from scholars and practitioners. It is now getting that attention from two of the best: Alan Altshuler and David Luberoff" —Alan Ehrenhalt, Governing



"A significant book that fills an important gap in our understanding of urban development politics. Altshuler and Luberoff have tackled a tremendous topic with both breadth and depth. It is a superb achievement sure to have a lasting impact on urban scholars and policymakers alike." —Lynne Sagalyn, Columbia Business School



"A fascinating, theoretically rich study of the politics of public investment in urban America —with particular attention to the strategies employed by public officials and business coalitions, and to the ways in which they have adapted to new opportunities and constraints over the past half-century." —Jameson W. Doig, Princeton University



"Same article appeared in: San Diego Union-Tribune, Contra Costa Times, Times Union, Orlando Sentinel, St. Louis Post-Dispatch, Tulsa World, Patriot News" —Mark Pratt, Associated Press, Various Newspapers, 12/21/2003



"Same article appeared in: Times Union, Charleston Gazette, The Commercial Appeal" —Steve LeBlanc, Associated Press, Various Newspapers, 1/18/2004



"Guided by Altshuler and Luberoff's excellent analytical survey, we can see that it is also a quick trip backward to the pre-1950 era of urban self-reliance" —Hubert Murray, AIA, RIBA, ArchitectureBoston, 3/1/2004



"Escalating costs, complications, and delays are pretty much guaranteed in major public works projects these days, according to Altshuler and Luberoff... They don't pronounce the death of all megaprojects. But with money short and homeland security costs mounting, they believe such projects may not get much consideration in the near term." —Anthony Flint, Boston Globe, 5/19/2003



"This is a unique analysis in its linking of theory and detail" —W. C. Johnson, Bethel College (MN), Choice, 2/1/2004



"As with a novel in which one recognizes oneself in one of the characters, this survey of politics and projects can be read as a history of Boston from Mayor Collins to Mayor Menino. The striking aspect of the narrative, and perhaps the comfort, is that readers from Seattle, Denver, Atlanta -- or any number of other American cities -- might similarly recognize their own urban histories in its pages.... Guided by Altshuler and Luberoff's excelent analytical survey, we can see that it is also a quick trip backward to the pre-1950 era of urban self-reliance." —Hubert Murray, principal of Hubert Murray Architect & Planner in Cambridge, MA, Architecture Boston, 3/1/2004



"....necessary reading for students and professionals interested in creating vital urban environments of the future." —Arthur C. Nelson, Director of Urban Affairs and Planning, Virginia Polytechnic Institute and State University, The Journal of Planning Education and Research, 4/1/2004



"... Mega-Projects is a major contribution to urban development policy and should attract a broad interdisciplinary scholarly audience, as well as urban policymakers and stakeholders." —Steven P. Erie, University of California, San Diego, Perspectives on Politics, 3/1/2004



"... seeks to comprehend the main lines of thought in US urban politics, to develop case studies of mega-projects that inform theory, and to defend a nuanced affiliation with the Harvard tradition of conservative urbanism.... The excellence of the effort cannot be denied.... The most engaging portion of the book... is the case studies, particularly the chapters on the Big Dig and the Denver airport, both tales well told." —Laura Pangallozi, Rutgers University, Regional Studies, 6/1/2004



"...would make fine additions to most upper-division and graduate urban politics and development classes." —Mark S. Rosentraub, Cleveland State University, City and Community, 11/1/2004



"By letting readers make their own judgments, Altshuler and Luberoff avoid the standard trap that comes from taking a small piece of data and make it fit the wider world. Mega-Projects adds an important body of work to our understanding of urban politics and public choice." —Jay H. Walder and Shashi K. Verma, Managing Director of Finance and Planning and Principal in Corporate Finance at Transport for London, Journal of Policy Analysis and Management, 12/4/2004



"This is a superbly written book.... The authors provide an intriguing and penetrating examination that only a political scientist and journalist can together offer." —Narry T. Dimitriou, Bartlett School of Planning, University College London, Journal of Urban Design, 11/1/2004



"With 'Mega-Projects,' Altshuler and Luberoff have made a timely and useful contribution to a highly topical debate. In particular, urban planners, transport planners and political scientists, be they academics or practitioners, will appreciate this book." —Luca Bertolini, University of Amsterdam, Journal of Housing and the Built Environment



"MEGA-PROJECTS insightfully blends urban political theory with detailed case studies to arrive at a new understanding of large public works projects in America. Altshuler and Luberoff take on pork barrel politics, the complexities of federalism, the ambiguous role of technical analysis, and the rise of environmental and community activism to create a landmark study of lasting value to planners, engineers, policy analysts, and politicians. " —Martin Wachs, University of California, Berkeley



"A sophisticated history of public investment in American urban areas during the past half-century, framed within an equally sophisticated review of urban political theory. Its meticulous presentation of factual detail is cast within the larger setting where public policy shapes large-scale public works, and public works in turn help shape urban history." —Melvin M. Webber, University of California Transportation Research Center

About the Author

Alan Altshuler is the Ruth and Frank Stanton Professor of Urban Policy at Harvard University's Kennedy School of Government and its Graduate School of Design. He is also director of the Kennedy School's Taubman Center for State and Local Government. David E. Luberoff is the Taubman Center's associate director and an adjunct lecturer at the Graduate School of Design.

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6 of 6 people found the following review helpful.
In-depth analysis of urban rojects and their prospects for the future
By Don G. Schley
Altschuler and Luberoff provide an in-depth analysis of urban mega-projects focusing on three major categories: highways, airports, and rail transit. They preface their treatment a first-rate discussion and analysis of the theoretical framework and evolving political context in which urban mega-projects are undertaken. In this sense, the book is invaluable for those persons in the project management sector who need to be able to deal with the politics of their own projects (despite the ongoing belief among students that politics are irrelevant to project success). The real driver of these projects is the demand for economic growth and prosperity by important political constituencies, particularly the business communities of these various cities, but also other groups (including neighborhoods and other local institutions) that are interested in promoting prosperity as well. The discussion here is balanced, thoughtful, informed and astute.

The authors detail the era of carte-blanche and laissez-faire mega projects which lasted into the late 1960s, only to be confronted with resistance to groups (such as neighborhoods and environmentalists) that had heretofore been shut own, silenced, or overlooked. They treat the seventies, eighties and nineties as a time of retrenchment, and see the present era as one in which mega-projects will continue to drive forward in specific areas, but in which they will also be far more limited in scope than in the preceding years. They note the constraining force of the "do no harm" doctrine, and detail how this doctrine--promulgated as a consequence of the excesses of the mega-projects of the sixties, when neighborhood and environmental impacts were hardly ever considered (e.g., the ill-fated Jones Falls Expressway in Baltimore, which the book does not mention)--is being implemented in projects such as the Federal government's reconstruction and expansion of the Woodrow Wilson Bridge on Washington DC's southern edge.

The book ends with an analysis of the long-term impact of the legal retrenchment against mega-projects that occurred during the sixties, and its authors, while sympathetic with the democratic political tendencies generated by the opposition to these projecs, concludes that legitimate objections can still stop projects. Simple use of delaying tactics will not work, and projects will advance against such opposition, though far more slowly and with greatly increased costs.

Their discussion of regime politics is especially important, and provides and essential caveat for any serious professional or activist seeking to halt a politically advanced, though publicly deleterious project.

0 of 2 people found the following review helpful.
good read, very detailed
By Globetrotter5K
I had to read this book for grad school. If you need a lead on case studies related to city planning, this is the book for you.

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Rabu, 22 Agustus 2012

[G448.Ebook] Download PDF Waiting For Spring, by R. J. Keller

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Tess Dyer’s husband, Jason, promised to love her forever. That was eleven years ago, before the fights, before the pain, before the bitter divorce. Now he is just another in a long line of people who rejected Tess, from her coldly distant mother to the seemingly endless string of one-night stands from her youth whose names she can’t remember.

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  • Published on: 2015-09-15
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 2
  • Dimensions: 6.75" h x .68" w x 5.25" l,
  • Running time: 18 Hours
  • Binding: MP3 CD

About the Author
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CAROLINE SHAFFER, a San Francisco native, studied theatre at the Weber Douglas Academy in London and holds an M.F.A. from the American Conservatory Theatre. She has worked in theatres across the country, and has spent the past 12 seasons with the Oregon Shakespeare Festival in Ashland, Oregon, where she now lives with her husband and 4 children. In addition to theatre, Caroline has worked in the TV, film and commercial markets, doing radio and TV voiceovers, radio ads, and cartoon voices.

Most helpful customer reviews

65 of 72 people found the following review helpful.
4 3/4 Stars
By Lynn McNamee
Plot/Storyline: 4 1/2 Stars

I was pleasantly surprised as I was afraid since the main character was an artist, that the reader would be treated to long, boring passages about colors and scenery. That didn't happen at all throughout the book.

The story line flowed beautifully and horrifically at the same time.

Reading this book brought to mind the old movie "Alice Doesn't Live Here Anymore." Not that the storyline was similar, just that the tone flowed in the same manner.

The sex scenes were a bit long and drawn out. Many of them did not even seem to be essential to the story, at least not in the detail they were delivered.

Character Development: 5 Stars

Every character was real - You could be living next door to any one of them.

The main character reaches out of the pages and squeezes your heart. Her honesty and realism are refreshing.

The mother is evil in ways that only a mother can be; while the father is the only type of man who could be with a woman like her.

You will fall in love with Brian. I promise.

Writing Style: 4 1/2 Stars

As good as the writing was, about 20% of this novel could have been left in the Recycling bin of the author's computer. There were several passages where it just 'rambled on' repetitively, driving home the same points until emotional numbness.

The usage of caps to try to bring attention to certain words was a bit annoying. I think the work would have been better served by using either italics or nothing. Using caps actually detracted a little from the power of the words as I felt like I was being force-fed.

Editing/Formatting: 5 Stars

There were a few errors in the text, but not so many as to overly detract from the reading experience, especially in a book of this length. The Kindle formatting was excellent.

Overall:

This was a soap opera "plot" told in poetic prose. It is an epic work from an author destined for greatness.

Rating: NC-17 for Adult Situations, Language and Graphic Sex

15 of 16 people found the following review helpful.
Witty, realistic, emotional roller-coaster.
By K. Crumley
One of the things I like most about WAITING FOR SPRING is the prose. RJ Keller's wit adds to the story, making Tess more fleshed out and real. Tess is far from perfect, but she is likeable! She's everywoman, a welcome change from Miss Mary Sue who pops in and out of most novels every so often. We can relate to Tess, and all of her trails and tribulations.

The other thing I liked was how two different love stories kind of merged--as Tess' marriage fell apart, she deals with the heartbreak. Then in its wake, she meets Brian the young, handsome guy downstairs. The chemistry between Tess and Brian is brilliant, real, and at times dramatic.

It was a real page turner, and emotional roller-coaster...you feel right along with Tess. All her highs and lows, moments of joy and valleys of pain and shame.
You really root for her, and you want it to all work out in the end for Tess.

I highly recommend Waiting For Spring, as well as anything else by RJ Keller.

31 of 37 people found the following review helpful.
Promising writer; flawed book
By Scamp
There is much to like and appreciate about Waiting for Spring. Keller is a talented writer who has created a believable world with a cast of well-drawn characters, most notably the protagonist, Tess, and her love interest, Brian.

Some of the ancillary characters are less three-dimensional, particularly the well-to-do, who are almost without exception stereotypically typed as fairly greedy and shallow. In fact, money and Tess's perception of it as evil is an ongoing thread in the novel. This appeared to be presented as a principled stance for Tess, but the 'principle' didn't quite resonate and the reasons for it were not entirely clear to me.

This book has great potential, but the excellent world Keller has created does not shine as brightly as it should, and the occasional poignant turn of phrase gets lost in the muddle. The main problem is that, in my opinion, Waiting for Spring is overwritten, so much so that it was a struggle for me to see it through to the end. I believe a good one-third of this book could be eliminated, perhaps even more. Repetition of thoughts, ideas, and impressions in Tess's internal monologue, along with some repetitive physical descriptions (i.e. "Van Dyke Brown"), give the novel a rambling, unfocused quality at times.

There were a few graphic sex scenes in the book. As I came to know Tess better, I began to understand the reason for Keller's inclusion of them. Sex is, after all, Tess's default fallback coping strategy; and this is Tess's world, seen through her eyes (first-person narration). But like all else in the novel, including the excess use of four-letter words, less trumps more.

The ending was a disappointment. It felt tacked on, like an afterthought, and it seemed out of sync with the flow of the book. I cannot really say more without spoilers.

I can recommend this book for enthusiasts of women's fiction because of its wonderful cast of human, believable characters in an equally believable world. I hesitate to give an unqualified recommendation because I think the overwriting does necessitate a certain amount of patience that some readers may not have.

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Rabu, 15 Agustus 2012

[J261.Ebook] Free Ebook A Basic Guide to Buying a Business, by Brian Hanson

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A Basic Guide to Buying a Business, by Brian Hanson

If you are thinking of buying a business it’s probably a new experience for you. For most first time buyers, the process may seem complicated: how do you even analyze a business or determine a price for it? Advisors may help, but ultimately it’s not their money, time or effort at risk.

There are hundreds, if not thousands, of businesses for sale in your area: it’s easy to be overwhelmed by the selection and ultimately hard to compare very different opportunities. Picking the right business is not just about price. You’ll need to find an opportunity that fits your interests, skills and budget—it’s a commitment measured in years or even decades so you’ll want to create a search profile before starting your search.

After you’ve found a business that’s of interest, you’ll need to know how to objectively evaluate the opportunity. Acquiring a business is very different than buying a piece of real estate or other expensive commodity. Businesses can have several different components that must be valued separately using different methodologies. You’ll need to know the right questions to ask, how to identify key issues and what’s expected from you and the buyer during the process.

A Basic Guide to Buying a Business is intended to be a primer for first time buyers. It will take you step by step through the process of finding, assessing, valuing and closing on a business opportunity. This Guide will explain the financial terms used in business acquisitions, how to read tax returns and financial statements and issues to look out for when analyzing an opportunity. Buying a business may be the largest investment you’ll ever make: don’t add to your costs with missteps and mistakes, or waste your time pursuing the wrong opportunity.

  • Sales Rank: #1157977 in eBooks
  • Published on: 2012-04-10
  • Released on: 2012-04-10
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
A worthwhile read for any aspiring small business owner...
By Sean D. Kearns
Mr. Hanson's book is an easy to read treatise on the fundamentals involved in buying a small business... Filled with sage advice and food for thought useful to anyone thinking about becoming their own boss. The book is especially refreshing in its balanced look at various options available to prospective business buyers. In other words, it's not just another thinly veiled 'hook' publication trying to drum up business for the publisher. I highly recommend it!

0 of 0 people found the following review helpful.
Good introduction
By W. Benson
This is a great book for those at the start of the business buying process. It clearly defines common terms and provides a point of reference for further study. Concise and informative.

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Sabtu, 11 Agustus 2012

[L694.Ebook] Ebook Interest Rate Swaps and Other Derivatives (Columbia Business School Publishing), by Howard Corb

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Interest Rate Swaps and Other Derivatives (Columbia Business School Publishing), by Howard Corb

The first swap was executed over thirty years ago. Since then, the interest rate swaps and other derivative markets have grown and diversified in phenomenal directions. Derivatives are used today by a myriad of institutional investors for the purposes of risk management, expressing a view on the market, and pursuing market opportunities that are otherwise unavailable using more traditional financial instruments. In this volume, Howard Corb explores the concepts behind interest rate swaps and the many derivatives that evolved from them.

Corb's book uniquely marries academic rigor and real-world trading experience in a compelling, readable style. While it is filled with sophisticated formulas and analysis, the volume is geared toward a wide range of readers searching for an in-depth understanding of these markets. It serves as both a textbook for students and a must-have reference book for practitioners. Corb helps readers develop an intuitive feel for these products and their use in the market, providing a detailed introduction to more complicated trades and structures. Through examples of financial structuring, readers will come away with an understanding of how derivatives products are created and how they can be deconstructed and analyzed effectively.

  • Sales Rank: #106604 in Books
  • Published on: 2012-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.70" w x 6.20" l, 2.00 pounds
  • Binding: Hardcover
  • 624 pages

Review

Howard Corb's comprehensive treatment of interest rate swaps and related derivatives is destined to be the standard source for all professionals and students anxious to learn both concepts and practice. This book is authoritative, accessible, and rich with applications and illustrative examples.

(Darrell Duffie, Stanford University)

Finally, a complete and comprehensive derivative textbook that is both commercial and quantitative. This book is written in a wonderful conversational manner that will appeal to students of many derivative applications―corporations of all sizes, institutional investors of all kinds, public sector borrowers, global regulators, quants and educators at all levels. Howard Corb has really captured everything―the broad array of products and the necessary maths and associated variables―covering both common applications along with all the nuances. Undoubtedly this book will serve as both a textbook for the inquisitive and a reference book for all practitioners. I have grown with the swaps and derivatives market for the last quarter century and would have valued having this book at my side on many occasions. I commend Corb for creating such an inclusive work. His book clearly captures his passion for the derivatives market and his sincere interest in education.

(Richard Prager, head of global trading, BlackRock)

Corb's book uniquely marries academic rigor and real-world trading experience in a compelling, readable style.

(Academic Lounge)

About the Author

Howard Corb is an adjunct associate professor in finance and economics at Columbia Business School and a partner at Arel Capital. After receiving his Ph.D. in finance from Stanford University, he began his Wall Street career at J. P. Morgan and later joined Morgan Stanley, during which time he worked with a variety of institutional clients to help manage their interest rate risk using derivatives.

Excerpt. � Reprinted by permission. All rights reserved.

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Most helpful customer reviews

14 of 16 people found the following review helpful.
Extremely well written, very practical, best finance textbook I've read
By M Scott
My most interesting take-away from this book was it's rare combination of readability, technical specificity and overall "entertainment" value, for lack of a better word (as far as textbooks are concerned at least). Other derivatives textbooks on the market (I'm most familiar with Hull and Tuckman), although very technically sound, can be truly a dread to read and are clearly more intended for the academic than the practitioner. Far from just being a desk reference I found myself actually enjoying reading it through - I'd describe Corb's writing style as John Hull meets Micheal Lewis. The many entertaining footnotes and cultural references really help in the learning process by keeping readers interested in the book itself and thus also on the material.

Another interesting element of the book is that Corb spends time not only on the exact calculations behind the pricing of the securities he discusses, but also on the intuition that practitioners should have when considering these products. Hence he goes a step further beyond simply showing you how to build calculators towards an intuitive understanding of how pricing algorithms should be built and how prices should move. Because many new salespeople/structurers/traders can be much too wedded to their pricers, using this book to help develop a sense for the effects of daycount changes or option period changes for example is a great help.

Another point would be the completeness of the material. Previous texts I've read have only covered a small fraction of the products and situations I'd experienced as a practitioner, focusing mostly on very basic swaps and maybe caps/floors. Prof Corb's book on the other hand did a vastly better job reintroducing me to and providing a deeper understanding of those products practitioners deal with just as often but are far more complex like swaptions, cancellable swaps and exotics.

Great read, extremely well written, the best finance textbook I've read.

14 of 17 people found the following review helpful.
New Stadard for Interest Rate Derivatives
By Colin Teichholtz
There is little doubt that "Interest Rate Swaps and Other Derivatives" will shortly be a fixture on every Wall Street interest rate derivatives trading desk. Corb has created a reference spanning the myriad variety of interest rate derivatives products.

Corb has laid out the material in a straightforward style that is accessible to students as well as professionals. I enjoyed the many contextual references that interlace the text, delving not only into the math and economics underlying different derivative constructions, but also the reasons they evolved in the first place. Corb describes the rationales and ideas that captivated market thinking as particular trades and events unfolded, elaborating both why those instruments were created and transacted, and also how at times they became distressed or dislocated. This is really great stuff, and short of having sweated it out for years on a Wall Street trading floor, I'm not sure how a reader could otherwise have acquired this same degree of flavor and wisdom.

"Interest Rate Swaps and Other Derivatives" is quite rigorous, with intuitive explanations subsequently supported by the relevant formulas and derivations. Detailed annotations supplement the main text, and are worth reading.

While there are many Fabozzi-esque compilations of interesting research and analysis available, I found "Interest Rate Swaps and Other Derivatives" to be practical, informative, and engaging. I recommend it for anyone with an interest in interest rate derivatives trading, analysis, or history.

12 of 14 people found the following review helpful.
mandatory reading
By H. Alexander
this class and this book changed my life. It sounds absurd, but it's true. If you work in the business someone on your trading floor has taken corb's class at CBS and this book is the MBA course book and then some. If you only buy one book that will move the needle for your love of rate derivatives buy this one.

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Rabu, 08 Agustus 2012

[X675.Ebook] Download Journey, by Aaron Becker

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Journey, by Aaron Becker

A 2014 Caldecott Honor Book

Follow a girl on an elaborate flight of fancy in a wondrously illustrated, wordless picture book about self-determination — and unexpected friendship.

A lonely girl draws a magic door on her bedroom wall and through it escapes into a world where wonder, adventure, and danger abound. Red marker in hand, she creates a boat, a balloon, and a flying carpet that carry her on a spectacular journey toward an uncertain destiny. When she is captured by a sinister emperor, only an act of tremendous courage and kindness can set her free. Can it also lead her home and to her heart’s desire? With supple line, luminous color, and nimble flights of fancy, author-illustrator Aaron Becker launches an ordinary child on an extraordinary journey toward her greatest and most exciting adventure of all.

  • Sales Rank: #1330 in Books
  • Brand: Candlewick Press
  • Model: 26863844
  • Published on: 2013-08-06
  • Released on: 2013-08-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x .37" w x 11.00" l, 1.10 pounds
  • Binding: Hardcover
  • 40 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Amazon Best Books of the Month, August 2013: The influence of Harold and the Purple Crayon is unmistakable, but rather than a cheap imitation, Journey is a beautiful homage to the classic. Aaron Becker’s balance of color and immaculately detailed illustrations capture the eye and effortlessly tell the story of a lonely girl who uses a red crayon to draw her way into a magical adventure. As the journey comes full circle, a purple bird--the work of another imagination--leads the way to the best adventure of all: friendship. Journey is an incredible work of storytelling through art that will appeal to readers of all ages. --Seira Wilson

From School Library Journal
Gr 1-4-In this auspicious debut picture book, a lonely girl escapes the boredom of a sepia-toned world by drawing a doorway to a magical realm. Harkening back to Crockett Johnson's Harold, this child uses a red crayon and a lot of imagination to venture across a Venice-like kingdom, fly among a fleet of steampunk airships, and take off on a magic carpet ride. When an act of compassion and bravery lands the heroine in a cage, it's her magic crayon and a bit of help from a new friend that save the day. This captivating wordless story has all the elements of a classic adventure: unknown lands, death-defying stunts, and a plucky lead. Finely detailed pen-and-ink line drawings combine with luminous washes of watercolor to create a rich and enchanting setting. Becker builds a sense of suspense by varying colorful full-page spreads with smaller vignettes that feature the girl and her red crayon surrounded by ample white space. The final page shows the youngster and her new friend riding a tandem bicycle pointing onward. Endpapers spotlight all manner of transportation: ships, trains, cars, and even space shuttles. The strong visual narrative makes this an appealing choice for a wide range of ages. By the turn of the last page, children will immediately begin imagining the next adventure.-Kiera Parrott, Darien Library, CTα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
*Starred Review* First-time author Becker sweeps readers away on the very best kind of journey, allowing a complex color scheme, intricate fantasy environments, and a stirring sense of adventure to tell the story without a single word. Worn out by an urban world of washed-out colors and too-busy adults, a young girl makes her escape through a slightly foreboding mystical forest and floats into a city-sized castle, where she spies a magnificent bird that is captured and caged. Without hesitation, she takes on an army of Samurai-like air-warlords and saves the bird, who ushers her back into her own world, where friendship and great new adventure await. Becker’s background in movie animation is apparent in his sense of pace, motion, and action; his extraordinary detail work; and his sharp visual cues: objects of imagination and escape, for example, are all colored in blazing red. But through elements that reverberate with the power of Crockett Johnson’s Harold and the Purple Crayon (1955), Maurice Sendak’s Where the Wild Things Are (1963), and Barbara Lehman’s The Red Book (2004), he clearly has a deep understanding of his literary antecedents, too. Laudable for its adventuresome female protagonist, scope, and sense of fun, this title will draw girls and boys back to it again and again. Grades 1-4. --Jesse Karp

Most helpful customer reviews

139 of 142 people found the following review helpful.
Don't stop believin'
By E. R. Bird
I’ve encountered something new and exciting at this late stage of the game. For years I’ve been reviewing picture books written for children. Working with them on almost a day-to-day basis as a children's librarian, I did not doubt that my experience helped me to separate out the wheat from the chaff (so to speak). Then I had my own kiddo and together we were able to plumb the depths of the board book genre. Now the small child has grown quite fond of picture books, so together we’ve explored books that would be within her age range and those that are, perhaps, a tiny bit of a stretch. I will tell you right now that “Journey” by Aaron Becker is not intended for the toddler crowd. Not necessarily. With its fine attention to detail and jaw-dropping storyline, Becker has created a modern day classic in the midst of an overpopulated genre. That said, do not hesitate to introduce this book to any and all kiddos you have at hand. Give it to your teenagers. Give it to your ankle biters. The more people that sit down and take in the pages of the book, the better off the whole of humanity will be. For my part, I’m just delighted that repeated one-on-one readings of books like this one yield all sorts of additional information and details that will help my reviewing. There’s a lot to be said for this whole parenting thing, eh?

A girl is bored. Bored bored bored bored bored. With her mom cooking and yakking on the phone, her dad glued to his computer and her older sister consumed by some kind of electronic handheld device, there’s no one to play with. But when the girl’s cat reveals itself to have been sitting on a bright red writing implement (is it a marker, a crayon, or chalk?), she knows immediately what to do. A door is drawn on the wall of her room and passing through it instantly yields a glorious lantern lit world, replete with tall green trees and a meandering stream. When the girl draws a boat with which to explore the stream she is drawn into a massive water-driven city full of friendly residents, canals, and locks. An accidental slip over the side causes her to draw a hot air balloon and all is well until she spots a beautiful purple bird. Pursued by a relentless villain, the creature is caught and caged. Our heroine attempts a daring rescue but is caught herself in the attempt. Fortunately, things turn out well in the end and she finds that maybe in her humdrum drab little world at home there’s someone else there willing to share an adventure or two.

Seems this book can’t get a review without someone comparing it to “Harold and the Purple Crayon”. That’s fair, I suppose. After all, it’s about a kid creating solutions to the world around them with the help of a brightly colored . . . I guess I’ll call it a crayon, though at no point does it ever establish itself as one thing or another. And there’s even a falling-and-drawing-a-hot-air-balloon sequence that is straight up Harold, no question. That said, all other similarities to Harold stop right there. You see, I’ve always personally been a bit creeped out by Harold. Sure, I recognize the brilliance in the simple writing and the art is a dream to the eye in its minimalism. Yet there was always something cold and lonely to the Harold books. Nothing he draws ever moves. He’s creating his own reality, but everything he encounters originally sprouted from his own crayon. “Journey” is vastly different. Here our heroine meets new people, some of whom are friendly and some are not. She interacts with them. Instead of being limited to the world of her crayon, her crayon instead introduces her to whole new worlds she would never have seen otherwise. So while Harold exists in the cold white plain pages of a book, destined to provide only one color for variety, this girl uses her one color to explore other colors and other worlds and other people and cultures. There’s a metaphor just ah-brewing here, you know it, but I’ll leave it to you to extend it to its natural end.

Not afraid of architecture is Mr. Becker. Nope. Not a jot afraid. When you turn the pages of the book and see the castle-like city for the first time with its golden domes and green parasol-carrying residents, it’s a jaw-dropper. Honestly awe-inspiring. I may have to credit it with my daughter’s current obsession now with castles. The first person it made me think of, actually, was David Macaulay. Macaulay’s books featuring expansive architecture are the closest kin to what Becker is doing here. But unlike Macaulay, Becker does not seem to sport any actual degrees in architecture. He’s a trained artist, and clearly a well-trained one, but if he excels in this area it is due to his talent rather than his experience. I then showed this book to my husband and he looked at it with interest. “It has a lot of similarities to ‘Avatar: The Last Airbender’,” he pointed out. Boy howdy, I’m glad he pointed that out. It most certainly does! I don’t know how many of you have taken the time to studiously watch the Nickelodeon hit animated television show, but in truth there’s a lot of “Avatar” to be found here. From the city with the waterways and locks to the boats in the sky to even the sensation of flying over unfamiliar cities and lands, at the very least this makes a darned good companion to “Avatar”, if not an outright introduction to it.

I don’t know how many authors and illustrators know this, but in my experience there are a lot of teachers out there who send their students into libraries to ask for wordless picture books. Often these are used for writing exercises where the kids write the plot of the books, but once in a while you’d get a creative soul who understands that visual storytelling is the great unifier. Take a kid from another country that has recently immigrated, hand them a wordless book, and watch as they find (much to their own relief) that they are able to “read” the text. This goes for reluctant readers and kids that are reading below their grade levels. It’s also great for very young readers who cannot yet read words but delight in telling stories. Becker easily could have added text to this book. It wouldn’t have been pretty, but it could have happened. Instead, he and his editor and even his publisher took a chance and let the images and the storytelling do the talking. Sometimes you have to shut your trap to truly hear what a book has to say.

I’ll confess a small quibble I had at one point involving the villain. There’s not a ton of diversity in this book, and I do prefer titles that aren’t afraid to show folks from a variety of different races. That’s why I was a bit unnerved at first by the baddie. Dressed in full regalia worthy of a villain, with his Fu Manchu moustache and samurai dress, there’s something distinctly Asian about him. This struck me as a bit unfortunate, but upon closer examination I realized that I couldn’t tell the race of the girl either. And for that matter, it’s not like Becker is pinpointing a single nation or ethnicity as his big bad. There appear to be Egyptian decals on some of his architecture. His house for the bird has a somewhat pagoda look to it. Maybe I’m justifying everything, but it seems to me that Becker was trying more than anything else to have a bad guy who was easy to spot (note the golden helmet) and that looked different from the residents of the water-based city. Becker himself spent time in Japan, I believe, so it’s not out of the question that his art style might be affected, but I hardly think he’s guilty of playing on stereotypes.

There is a very different argument against this book that I should address, however. I was at a nice little shindig the other day, talking with librarians about picture books we think should win big awards and the subject of “Journey” came up. “Oh,” said a woman to me, “I love it, but one of my librarians had a real problem with the gun.” I blinked a little and then searched my memory banks. The gun? I had no idea the book had a gun. Well, you can bet I ran back home and looked the book over cover to cover. After some work I finally located the alleged “gun”. It’s tricky, but I think this is what the woman meant. There is a scene in the book where the bad guy is seen from a distance, directing his two men to hand the captured purple bird in a cage. He is pointing at them, but the way Becker drew the image the hand takes on the shape of, yes, a teeny tiny gun. This is clearly a quirk of the art. Look on a previous page and you can see the villain doing the same hand movement in his little airship, just with his fingers (some folks think his hand is a gun as well, but if you look you'll see that the colors of said "gun" are the same as his arm, suggesting that this is just a very insistent pointer finger). That same pointing movement is replicated on the next page, but because of an extra bump of his hand, the hand itself looks somewhat gun like. Of course, it would make NO sense for it to even be a gun. The baddie is just directing his men. He’s not holding them up at gunpoint. More to the point, if this guy was to carry a gun, a typical handgun wouldn't make a lick of sense. He's sport a blunderbuss or something that fits in with the environment around him. Plus, why would he be waving a gun at a bird he just wants to capture and cage? This is just a quirk of an image. A person reads into it what they themselves want to see. If you want to see a gun, you'll see a gun, but trust me when I say it's only going to be wishful thinking on your part.

Usually when we talk about stunning wordless picture books we talk about artist David Wiesner. With his three gold Caldecott medals and who knows how many awards to his name, it’s nice when someone else can also give us a glimpse into whole new worlds. Becker’s debut isn’t afraid to go epic on his first turn around the block. Packed with details, the book rewards readings and rereadings. It’s a true original, though it certainly harkens back to classic picture books of yore. I don’t get to use this word very often when I’m talking about books for young children but I’m going to dust it off and use it now: Beautiful. There’s no other way to describe “Journey”. Take your own today.

For ages 2 and up.

135 of 142 people found the following review helpful.
A Must Have For Readers of Every Age - Parents or Not
By Colby J Cuppernull
This is, in my opinion, an essential book for parents and non-parents alike. It is a work of literature, stunning in its artistry, poetic in its imagery, minimalism, and allusions.

What you have here is a wordless storybook. It is, I would suggest, more a work of art, a collection of linked paintings that tell a story. Our main character (nameless), seeks refuge from her disconnected life in the adventures she creates with her red crayon. Sound like a book we've all read and loved? Stay with me. She journeys, with her crayon, into a beautifully imagined world and an adventure. I really don't want to ruin the BRILLIANT (boy how I wish FB would let me italicize) twist ending, but I will say that this is so much more than an homage to HAROLD AND THE PURPLE CRAYON, it is an extension of it, a tribute to it, a joining of worlds.

I read this book with my three-and-a-half-year-old son last night and he was enthralled. In spite of the fact that there were no words, he was gripped. Why? The lack of a defined way of telling this story allowed us to tell it ourselves. Tonight, when we read it again, it will be slightly different. New words will be used to give voice to the story told through the images. Every time we read this book, it will become new. That is special.

I can't speak highly enough of this book. Even as an adult I read it and appreciate what it does. Absolutely stunning. Brilliant in every way. Please, do yourself a favor, spend the fourteen or fifteen bucks and get this. Cherish it. Because your child (or you) will read it at 3, at 5, at 10, at 16, at 30, at 80. This is a book I would, as a teacher, work into units from kindergarten through graduate school. How many books can you say that about? Incredible.

29 of 29 people found the following review helpful.
Very neat story
By M. Heiss
This wordless book will fire up the conversation among your family. Let the youngest tell the story. Let grandpa tell the story. Go crazy.

Wonderful illustrations. Set free your imagination.

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